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8 January 1836 – 25 June 1912. Most renowned painters.

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Nicholas Hilliard
An unknown Youth Leaning against a tree among roses

ID: 50892

Nicholas Hilliard An unknown Youth Leaning against a tree among roses
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Nicholas Hilliard An unknown Youth Leaning against a tree among roses


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Nicholas Hilliard

1547-1619 British Nicholas Hilliard Galleries Nicholas Hilliard (c. 1547?CJanuary 7, 1619) was an English goldsmith and limner best known for his portrait miniatures of members of the courts of Elizabeth I and James I of England. He mostly painted small oval miniatures, but also some larger cabinet miniatures, up to about ten inches tall, and at least the two famous half-length panel portraits of Elizabeth. He enjoyed continuing success as an artist, and continuing financial troubles, for forty-five years, and his paintings still exemplify the visual image of Elizabethan England, very different from that of most of Europe in the late sixteenth century. Technically he was very conservative by European standards, but his paintings are superbly executed and have a freshness and charm that has ensured his continuing reputation as "the central artistic figure of the Elizabethan age, the only English painter whose work reflects, in its delicate microcosm, the world of Shakespeare's earlier plays.  Related Paintings of Nicholas Hilliard :. | Portrait of George Clifford, Earl of Cumberland | Portrat des George Clifford, Earl of Cumberland | Previously unrecorded Portrait miniature | Young Man Leaning Against a Tree | Portrat einer Unbekannten |
Related Artists:
William Holbrook Beard
1824-1900 William Holbrook Beard Gallery
Margaret Isabel Dicksee
1858-1903
Andrea del Sarto
Italian High Renaissance Painter , 1486-1530 Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,






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